You know that feeling when a garment just gets you? Not because it’s flashy or on trend but because it moves right, feels right, fits right and looks great on you. That’s exactly how I felt the first time I wore Jenna’s jacket.
A chance discovery
I “found” the women’s plus size jacket during a sewing class at Timaru Sewing Centre. It was lying on a pile of scrap fabric.
“Oooo, I wonder who this belongs to,” I said picking it up and looking at how well it was sewn.
“I love it.” I held it up and looked in the mirror with it against my body.
“I want it,” I said. My fellow sewing students rolled their eyes.
Lost and found and lost
A number of times I thought I’d lost a favourite jacket by leaving it on the back of a chair in a meeting room or conference centre, at an event or even in the library. I felt so lucky because I’d go back and it was still there but one time, it had gone. While it is annoying to lose a favourite jacket, I hope whoever is wearing it now likes it as much as I did.
Doing the right thing
I’m an honest person so I couldn’t just take this jacket. Not when I knew the owner could probably be found.
I took it to the owner of the Timaru Sewing Centre and she knew immediately who it belonged to. It was Jenna’s – one of the tutors of another sewing class.
I handed it over but the garment stayed on my mind.
Trying it on with permission
The next day, after a quick phone call, I had Jenna’s permission to try on the jacket. I practically ran to the sewing centre during my lunch break for the opportunity to see this beautiful jacket again.
The sewing centre manager snapped a few photos of me in the jacket. I wore a simple black dress I’d made and somehow the whole outfit just worked.
“It looks great on you. Did you plan to wear that dress?” the sewing centre owner asked. Nope. Total fluke. I’d only phoned on a whim, wondering if Jenna’s jacket might still be around.
Oh, it felt so good with it on my back, a perfect fit.
I decided I needed to meet Jenna and talk to her about her the women’s plus size jacket sewing pattern she’d used to make it.
Advanced but doable with encouragement
“It’s a great jacket, isn’t it?” Jenna beamed.
It absolutely is.
Turns out, this dreamy garment wasn’t just made for admiration. Jenna had originally brought it in the jacket for one of her students.
“She wanted something with a bit of swing, maybe a high-low hem,” Jenna explained. “And I thought, well—you can do that with anything. Your sleeve length, hem—those are easy changes. This women’s jacket sewing pattern had all the characteristics she was looking for.”
It does swish beautifully. The student loved it but worried it might be too challenging.
“It is an advanced pattern,” Jenna said. “An advanced Vogue pattern.” (Vogue 1494).
She looked at me and smiled. “But you could totally do it.”
That moment stayed with me. Not just because the jacket was gorgeous (and it was) but because of what it represented – a level-up moment in sewing. It was that gentle nudge toward something more ambitious – maybe even a little glamorous.
From stash to sparkle
“I just fell in love with the fabric,” Jenna told me. “I bought three metres (it was 150cm wide) and I had it sitting in my stash for ages and I didn’t know what to do with it.”
Of course I had to ask where it was from.
“The fabric store,” she said. “It’s 100 per cent linen but it’s foil-printed—that’s where the metallic sheen comes from.”
The owner of the sewing centre and I had both wondered what it was. We had guesses about silk and blends but it turns out it was pure linen, glammed up with a foil overlay. Now I know, it makes sense. It’s one of those fabrics that quietly commands attention.
The big bang
Jenna didn’t know what she was going to make with the fabric when she bought it, maybe pants. At some point, as these things happen, the fabric and the pattern collided in a little burst of creative clarity.
“I love Vogue patterns and when Spotlight has a sale, well… I go a bit nuts buying them,” she laughed. “Other times the fabric leads the way. But this jacket—it was like a big bang in the middle. One day I just knew—this fabric was meant to become that jacket.”
Jenna made the jacket not long after moving to her current home in Winchester, South Canterbury, New Zealand. It was around 2015 or 2016. The fabric had travelled with her from Christchurch, quietly waiting for its moment and it didn’t disappoint.
A jacket with just the right drama
“I wear it in spring and autumn—it’s not warm enough for winter, and you don’t want to wear a jacket like that for summer,” Jenna explained.
I personally think it would make a great special occasion jacket or as Jenna says, it is for every day. It’s one you can wear when you want to feel a little bit special. Isn’t that the dream – everyday pieces that make you feel like the an A-list celebrity.
What Jenna loved most about making it was the topstitching—especially across the dramatic collar. “I love garments with topstitching,” she said. “And that collar has lots of top stitching. It’s just gorgeous.”
Interestingly, the pattern shows the collar standing up but it also sits flat beautifully.
This is one of the few garments Jenna has made for herself that turned out better than she ever expected and it shows. The cut, the shimmer, the swing. It’s got presence, it’s got personality and it made me feel fabulous just trying it on. That’s how clothing should be.
Inspiration that sticks
Later, Jenna showed me the pattern (Vogue 1494).
“This is my spare pattern,” she said, holding it like a treasure. “I bought it twice because I knew it was going to be popular.”
The pattern is now out of print so Jenna is glad she bought two.
“This one’s uncut. I’m not cutting it until the other one is absolutely dead.”
When she does open the pattern envelope, Jenna intends to copy it onto something more permanent. I get it. Some patterns are worth preserving.
Vogue sewing pattern V1494.
The women’s jacket sewing pattern is designed to be made with lamb leather but it works beautifully in other fabrics too. It swishes like a dream.
I think what I love most is how much care and attention Jenna puts into her pieces, not just in making them but in teaching others how to make them too.
“If you want to make your wedding dress or something horribly complicated … nothing is too challenging,” Jenna told me.
Walking away inspired
I walked away from that conversation with Jenna thinking two things:
I really want to make that jacket; and
I’m not going to sell myself short next time a “challenging” pattern comes my way.
When something makes you feel that good – swishy and all – it’s worth the extra effort.
If you read part one of the de-stash challenge, you’ll know I’d just committed to bravely using fabric a perfect strange sent to me then enter the resulting garment into a competition with a $50 prize. Easy, right? Wrong!
Let’s pick up where we left off—needle poised, fabric flying, and a deadline looming…
From plaid to plan – deciding what to sew
The first step, and probably the hardest challenge, was deciding what to make with that multi-coloured plaid fabric that reminded me of a dress I wore in the 1980s. Being plus-size, there was definitely not enough to make anything that would fit me. I thought about sewing a child’s outfit, but I don’t know anyone with small children who could model a garment for the competition photos.
I wanted to do something a bit different and edgy. Something that would make a real impact.
A dream project?
It was my mother who came up with an idea that grabbed me and wouldn’t let go—men’s boxer shorts!
A few days after I received the fabric, Mum told me she’d had a recurring dream about boxer shorts. Perhaps it was a good thing she couldn’t remember the details (or at least she wouldn’t share them), only that there were boxer shorts in her dream—and they were made from the same fabric I’d been sent.
I started looking at boxer shorts patterns and realised they were totally doable. There was enough fabric, and I was confident I could make them in time for the challenge deadline.
Finding the right pattern (and a pun too good to pass up)
I didn’t have to look online for long before I found a boxer shorts pattern on 5outof4.com. It looked like a reasonably straightforward project, with only three pattern pieces. I had plenty of fabric to accommodate it. I did still consider making a child’s garment with the leftover piece but I didn’t want to risk running out of time or fabric and not being able to finish either. Boxer shorts felt like the right choice—fun, different, and yes, a bit edgy. Excuse the pun but boxer shorts fit the brief.
The boxer shorts pattern I chose for my de-stash project.
The pattern featured flat-felled seams—something I hadn’t done before so it was good to have a new challenge. I couldn’t wait to get started. There was just one thing holding me back…
Male model required
I needed a model for the finished garment and before I could start sewing, I needed to know what size the model would be. It would be no good making a size small only to find my model was a large!
I put the call out to friends and family to see if anyone knew someone willing to model boxer shorts.
Eventually, I had three possible options:
A good friend offered up her son, a local police officer.
A workmate volunteered her son.
Another former colleague offered her husband—and even sneakily sent a shirtless photo to prove what a good model he’d make. Talk about a selling point!
The younger men were a bit too embarrassed to participate so my friend’s husband ended up being roped in as the underwear model.
Plaid precision and preparing to sew
Before I received his measurements, I prepared the fabric. I had no idea if it had been pre-washed. It felt quite soft and thin, so I assumed it had but just to be sure, I washed it again to avoid shrinkage.
I always overlock the raw cut edges so they don’t fray in the wash. The piece was already small enough without losing more fabric to fraying.
Once dry, I ironed the fabric and matched the selvedges widthways as the pattern instructed. I used pins and clips to match the plaid lines both widthways and lengthways.
My friend sent me her husband’s measurements which matched a size medium on the pattern. I laid out the pieces and pinned them carefully.
The shorts have a centre back panel like a gusset to make room for the butt. Because it’s slightly tapered, it wasn’t possible to match the plaid lines where the panel joins the back on both sides. However, matching the front lines was more important, so I checked with the owner of my local fabric shop before cutting. She said I’d done a good job, and she helped me position the fly pieces to make sure the lines would align well.
With all my pieces cut, I was excited to start sewing!
Flat felled confusion
The pattern was easy to follow but the flat-felled seams confused me at first. It felt counterintuitive to put wrong sides together. Even though I’d marked each piece with “RS” for right side, it still tripped me up, especially because both sides of the fabric looked the same! My sewing friends probably had a giggle watching me flip the pieces every which way trying to figure it out.
“Fly”-ing solo
I tackled the fly at home. I’d installed a fly in a pair of jeans before (still unfinished due to sizing issues), so I knew the basics. Actually, this fly was simpler, since it didn’t involve a zip.
Buttonhole woes, warning and one last chance
A small button and buttonhole were optional on the fly. I debated whether to include them knowing automatic buttonholes on sewing machines can be temperamental.
Back at my sewing class, I bought a small clear button and tested the buttonhole foot using a piece of scrap. My first attempt was perfect—phew!
However, just as I feared, my second practice attempt was a disaster. Still, I decided to go for it on the real garment thinking surely the machine wouldn’t mess up again.
It did.
It jammed at the top and stitched back and forth in a frenzy instead of finishing neatly.
I carefully unpicked the mess. My sewing tutor cheerfully warned me I’d only have one more shot—the fabric couldn’t take much more.
I asked the sewing centre manager for advice. She was surprised the pattern only called for a small piece of interfacing behind the buttonhole. She recommended interfacing the entire fly section—but I didn’t have time to unpick the whole thing to do that.
Instead, I used a piece of tearaway stabiliser behind the fly. Nervously, I pinned it in place, reset the buttonhole foot and pressed start.
Success! A perfect buttonhole.
Hems, seams and getting it right
Back at home the next weekend, I sewed the inseam. The instructions said to flat-fell it but it just didn’t look right. I unpicked, tried again and still wasn’t happy so I overlocked both edges, sewed a standard seam and topstitched each side flat.
The final step was hemming the legs. Thanks to the plaid, it was easy to fold a quarter inch up, then another quarter inch and stitch neatly in place.
Wrapped with care and a side of chocolate biscuits
I popped the finished boxer shorts into an overnight courier bag—along with some chocolate Tim Tam biscuits for my friend—and sent them off.
A couple of days later, I got a message: “They went straight on!” She promised to send better pics soon and thanked me for the treats.
“Did you get the joke with the Tim Tams?” I asked.
“No,” she said. “What was that about?”
I explained I was referencing that old Dan Carter ad…
Except I wasn’t. After a quick Google, I realised I’d confused my rugby players and my biscuits. The ad I was thinking of featured Carlos Spencer in his boxer shorts—and it was for Toffee Pops, not Tim Tams!
Do you remember that one? Leave a comment if you do.
The big reveal
The next evening, I received the photos. My friend’s husband was rocking the boxer shorts and they were a perfect fit. There’s not much more I can say. I’ll just let the photos speak for themselves.
My friend’s husband is chuffed with the boxer shorts I made for him.
Facebook fame and a few laughs
I couldn’t wait to share the photos and story to the Sewing At Home NZ Facebook page, complete with the tale of the plaid fabric, boxer shorts, and my biscuit blunder.
The post got a great response—40 reactions and loads of comments and laughs. One commenter wrote:
“Is that XXX modelling?”
Me: Haha there had to be one!
Commenter: Oh funny. I nearly spat my tea out when I opened Facebook this morning. I used to work with XXX!
Me: I worked with his wife.
Commenter: Small world!
My fabric’s new life
The young woman who received the fabric I had sent made a groovy pair of wide-leg trousers—with pleats, an elastic waistband, a tie at the front and pockets! She usually sews children’s clothing, so this was a real stretch for her.
I was thrilled. The trousers looked amazing—and they fit her beautifully.
Time to vote
Each participant in the de-stash challenge had a photo of their finished garment posted to a poll on the Sewing At Home NZ Facebook group. Members could vote for their favourite.
I voted for someone else’s entry—a bright blue kimono robe with a feather boa around the neckline and down the front. It’s the kind of fabulous garment I’d love to make for myself one day.
And the winner is …
The poll is open until 31 May. Come back for an update on 1 June.
As sewists, we know fabric can accumulate quickly. What was once a carefully curated selection of materials for future projects often turns into a mountain of forgotten fabric that no longer inspires. Recently I came across the Facebook group Sewing at Home NZ. Soon after I joined, the admins posted a “de-stash” challenge and not only had I found a way to get involved with other sewists but a quick and easy way to say goodbye to at least one piece of fabric from my stash.
Step up to the challenge
The premise was simple: participants were to pass on fabric from their stashes to the next in line in the group. Person one passes to person two and so on until the last participant passes fabric on to person one – like a chain. The fabric pieces had to have been sitting around for at least two years. The challenge was to create something with the fabric you received. The result is then posted on the Facebook page for judging by participants like a “people’s choice”.
The prize
The competition prize was a $50 prezzie card. In New Zealand, a prezzie card is a gift card that can be purchased and pre-loaded with a chosen amount and works like a credit card – you can spend it anywhere, not just a specific store like a gift card.
Although my main reason for participating in the challenge was for the fun and experience, I can’t deny there was a little competitive streak in me. An extra $50 spending money is a nice incentive to create something that stands out. However, at the end of the day, the real reward is knowing I took on a creative challenge and made something worthwhile.
The fabric I de-stashed.
My de-stash
I immediately knew what fabric I would be passing on from my stash. It had been in my stash at least two years so it met the challenge criteria. It was 2.1m of beige denim-like stretch fabric with a maroon paisley print. I liked it when I bought it but over time it has earned the name “ugly fabric” and I cannot think what I would do with it.
Fabric sent
I contacted the person to whom I was to pass on my “ugly fabric” and apologised in advance for what I was about to send them. Thankfully their response was a laugh. I didn’t describe it to them. I thought they might like the surprise. At least there was a good length of it so they would have plenty of scope to make something the fabric deserved.
The person passing fabric to me asked me what I would like – stretch knit, woven, patterned or plain. I thought they must have a huge stash to have enough fabric sitting around for two years or more to allow choices like that. It was a good opportunity to be picky but I thought that would be cheating. I said I would be happy with whatever they sent me.
Fabric received
A few days later, a small parcel arrived in my mailbox. I was about to head out to go shopping when it arrived. I didn’t want to go inside to get a pair of scissors to open it at that time so it sat on the passenger seat of my car tempting me for a couple of hours.
I called in to my parents’ house on my way home and borrowed my mum’s scissors. I couldn’t wait any longer. Mum was excited as I was to open the parcel and see what fabric delight was inside.
I wasn’t sure what to expect. Had I received something I loved or would I end up with another piece of “ugly”, uninspiring fabric? I was nervous. I put the scissors into the courier bag opening and … chop … it was time to see what I had been sent.
The 80s called, you forgot your dress
Out popped about 82” x 34” of multi-coloured plaid fabric with shades of green, blue, pink, mustard yellow and white. I was immediately transported back to the 1980s. It reminded me of a tiered dress I wore in my teens. Mum laughed. “That’s interesting.” Was all she said.
The fabric I was sent.
It wasn’t what I would choose for myself these days (even if tiered dresses and plaid/gingham fabrics are back in style) but there was something fun about it.
It’s everywhere
You know how you have something on your mind, then suddenly all you can see relates to that thing? Well, that happened with the plaid fabric.
I went shopping at Ballantynes (a high-end department store) in Christchurch, New Zealand. After browsing for a while, I found a plaid bedspread. The colours were brighter than the fabric I received and pink was the predominant colour rather than green but it made me think plaid perhaps wasn’t so bad.
A plaid duvet cover for sale at high-end department store Ballantynes in Christchurch.
Later, I checked my Facebook feed and saw a video of a woman promoting a New Zealand fabric store. She wore a plaid dress very similar to the one I wore in the 1980s and with similar colours to the fabric I had been sent.
Facebook girl wearing plaid dress.
Not long after I decided to browse in the fabric store and found yet more plaid.
Fabric for sale at The Fabric Store at the Tannery in Christchurch.
Maybe the fabric I received was not as unfashionable as I thought. It is said fashion goes in cycles.
Creativity in unfamiliar territory
Sewing something using fabric you didn’t choose yourself can be a bit intimidating. After a few days and with the start of the competition approaching, I couldn’t think of what to sew with the fabric I had received. Competition participants had from 1 May to 24 May to create their entry. As a sewist, I usually prefer fabrics that fit my personal style and the items I want to create for myself but with this challenge, I knew I had to step outside my comfort zone.
When you think of fashion parades, your mind might go to Paris or New York—but for one memorable day, my hometown, Timaru, New Zealand, became the style capital of the country’s South Island. The Timaru Sewing Centre celebrated its 20th anniversary under the current owner with a fabulous community fashion parade, and I was lucky enough to take part.
The Event
The celebration marked 20 years since the current owner took over the Timaru Sewing Centre, though the store itself has been part of the community much longer. To mark the milestone, customers who had created garments using fabric or yarn purchased from the store were invited to participate in a special fashion parade. The audience could vote for their favourite—one fabric-based and one yarn-based creation.
Why I Took Part
The prize for first place for sewn garments was a brand new sewing machine—tempting even for me. I already own two machines and an overlocker (all bought from the Timaru Sewing Centre, of course). The prize for knitted or crochet garment was a gorgeous basket of goodies curated from the store’s suppliers.
I do enjoy a bit of healthy competition but my real reasons for joining in were simple: to support the local sewing community and have a bit of fun. Originally, the idea was just to wear a garment you have made and mingle but I suggested a proper fashion parade and the owner went for it!
What I Wore
Just before I hit the catwalk.
I chose to wear the floral chiffon dress I’d made for my friend’s wedding about a year and a half ago. It’s floaty and elegant, with cream flowers on a green background. I’ve talked about it on the blog before and it remains one of my favourite makes.
Behind the Seams
I considered shortening the dress a little for the runway but decided against it—sometimes it’s best to leave things just as they are when you first finish them.
There were about 30 participants all gathered in the ‘Vault’—a windowless room that used to be a bank vault but is now the sewing classroom—where we pinned numbers to our garments for the audience to vote. With no windows (and nobody turned on the air conditioning), it got pretty hot and loud with all the nervous and excited chatter! It reminded me of being in my intermediate school classroom getting changed into costume for the school production of Oliver Twist!
On the runway
The setup was just like a runway show, with an aisle between two rows of seated guests (around 40 people). One at a time, we each posed at one end, walked the runway and posed again in front of a branded backdrop while a photographer snapped a photo. The photographer was one of the talented sewists from my class. She wore an outfit she made–a stunning pant and waistcoat suit – but she chose not to walk the runway.
I was nervous at first, especially since it was hard to hear instructions in the classroom but once I was on the runway, it all flowed naturally. I felt great wearing my dress and even though I didn’t win, I was proud to represent my sewing journey.
Looking Back
It was such a feel-good experience to walk the runway in something I made myself. Most of all, I was happy to be celebrating the Sewing Centre’s milestone.
I’d definitely do it again, and many participants thought it should become an annual event, maybe even a fundraiser—people could pay to enter and to attend. Who knows, maybe we’ve just planted the seed for a national-level handmade fashion show, Miss New Zealand style.
Some garments just hit the sweet spot between comfort and versatility—and for me, the Style Arc Richie Knit Tunic Dress is one of them. If you’re looking for a plus size tunic dress pattern that is easy to sew, works with stretch fabrics and feels like wearing your favourite tee (but longer!), this one’s worth a look. Here’s my honest review of the Richie Tunic, made in a beautiful blue and white striped fabric, and why it’s earned a permanent spot in my weekend wardrobe.
This post may include affiliate links, meaning if you click through and make a purchase, I may earn a small commission, but it will not cost you any more than the normal price. This helps me continue to provide quality content on this website.
Why I chose the Richie Knit Tunic Dress
I’ll be honest (as always), the Richie Knit Tunic Dress wasn’t originally on my radar but sometimes the sewing universe has a way of guiding you. I had previously bought a length of blue and white striped fabric with a comfy pair of pants in mind, but as soon as I saw a sketch of the Richie Tunic sewn up in striped knit fabric on the Style Arc website, something clicked. I immediately thought: “That pattern is perfect for my fabric.” It just looked so fresh, simple, and wearable and I could immediately imagine it in my wardrobe. I changed my mind (every woman’s prerogative) and cut out the Richie instead of pants. I have no regrets!
Working with stripes
Let’s talk about the fabric. I used a medium-weight cotton spandex fabric with just enough stretch to be comfy but still hold its shape. It was ideal for this tunic which has banded short sleeves and a high-low hem. The trickiest part? Cutting it out! Matching stripes on a stretchy fabric takes patience and a good eye. I spent quite a bit of time getting the fabric ready to cut, smoothing it out and ensuring the stripes aligned perfectly at the selvedges.
Once I had it all laid out properly, I used clips to keep the striped knit fabric from shifting. I was determined to get those stripes to match across the seams and neckline, and I’m happy to report it all lined up in the end—including at the V-neck!
Fit for plus size
I made the tunic in a size 24, going up slightly from the size chart recommendation for my measurements to achieve a relaxed, oversized look that fits my body but isn’t too snug. There’s nothing restrictive about this plus size tunic dress. It skims over the body in a really flattering way and has just enough shape.
I didn’t need to make any adjustments, which is always a win.
It’s become my weekend go to. The cotton spandex fabric is thicker than a standard t-shirt knit, so it’s surprisingly warm, but still breathable. Over summer, I wore it with 3/4-length white leggings, and now that the weather’s cooling, I’ve been layering it with a long-sleeved top underneath and pairing it with jeans. It’s just that kind of garment—low effort, maximum comfort.
The V neckline (aka the stripe matching victory!)
If there was one tricky part of this garment, it was definitely the neckline. I had to unpick and resew it a couple of times to get the striped fabric to align properly and look good but that’s sewing, right? Sometimes you need to backtrack to get the result you want.
I appreciated the diagram on the instructions which helped me visualise how to attach the neckline correctly. Then it was a case of wiggling the stripes to go where I wanted them. That’s one of joys of stretch fabric. When it came together—when those stripes lined up perfectly for the entire V—it was incredibly satisfying and absolutely worth the effort.
White the V at the bottom isn’t absolutely perfect, it is close enough for me. I was worried too much unpicking and redoing might damage the fabric so I satisficed.
Satisficed: A cross between sufficing and being satisfied. A very useful term in sewing!
The pocket
The pattern has a pocket placed on the top left, just below the V neckline. Somehow mine ended up on the right hand side. I guess I was so focussed on matching up the stripes, I didn’t pay enough attention to the pocket instructions.
In retrospect, I should have sewn the top edge of the pocket down before attaching the pocket to the front. Stretch knit fabric has a tendency to curl and sewing it down would have prevented this. It doesn’t bother me much. In fact, I’ve been tempted to remove the pocket. I’m not going to though as I don’t want to damage the fabric in the process and ruin what has become one of my favourite garments.
A funny story
I sent one of my best friends a photo of me wearing the Richie Tunic Dress after I finished it. She said: “I dare you to put something in that pocket and walk around in public, preferably a hand.”
Her point was the pocket serves no practical purpose. It is just a style addition.
With the striped fabric or any pattern-matched design/print, the pocket is hardly noticeable and the garment would look perfectly fine without it. A plain-coloured fabric could benefit from the pocket (especially if it is a contrast colour or print). It does draw the eye to the chest though so if you are self conscious about your bust, it might be best to leave off the pocket.
Pattern Instructions and Sewing Experience
I’ve read mixed reviews about Style Arc pattern instructions, with some sewists finding them a bit limited, especially for beginners. I didn’t have any problems following the instructions for the Richie Tunic Dress.
I used my Babylock Victory overlockerfor nearly the whole project (except the neckline which I did on my Janome Skyline S 7 using a walking foot) until I was happy with how it looked, then I overlocked to tidy the edges. Overlocking made it a quick sew and gave a neat finish. If you’ve sewn a few knit garments before, you’ll likely be fine making this pattern.
Now, a quick note about stripes. I know not everyone feels comfortable wearing them, especially horizontal stripes and especially for plus sizes. I used to hesitate too but I’m wearing this plus size tunic dress because I love it. It’s comfy and it fits well and I feel good in it and that’s what matters most.
Final Verdict
The Style Arc Richie Tunic Dress is a winner in my book. If you’re looking for a pattern to use with cotton spandex fabric, striped or not, this is a great option. It is comfy and easy to wear. It is a no frills, no fuss, straight up sew that, for me, worked straight out of the envelope (or PDF folder) which is kind of rate for plus size sewing.
Would I sew it again? Absolutely. I’ve got enough of the striped knit fabric left to make a second version or I might make two – stripes front and plain blue on the back as suggested by a good friend of mine or the other way around and I’m already looking forward to it.
If you’re after a no-fuss, pull-it-on-and-go tunic that works for a plus size frame, the Richie Tunic Dress might be just what you’re after.
Let me know in a comment if you’ve made one before, if you plan to make one or if you’re currently making one. If you have any questions, I will do my best to answer them.
I went looking for a plus size dress form and I think the Bootstrap Fashion dress form might be my best option. Read on to see what I discovered.
Battle of the plus size dress forms
I need to be honest with you. I do not own a dress form … yet.
As I have said in a previous post, a truly plus size dress form is difficult to come by. Not to mention the cost. Even more frustrating, the ones I’ve seen online do not come in my size. I didn’t think I was “too big” but it seems I might be. I know ladies bigger than me so I’m not the only one having this struggle.
My body measurements
Okay, so in the interests of being totally transparent, here are my measurements:
Bust 53”
Waist 50″
Hips 56″
Yes, I’m an hourglass shape.
Most people when they think of dress forms think of the adjustable commercially available dress form. I’ve tried one of these so-called “plus size” adjustable dress forms before but expanding to its maximum capacity wasn’t a good idea. It broke. Fortunately, the store owner who let me try it didn’t charge me for it.
I’m not one to easily give up so I decided to do a deep dive into the internet to see what I could find.
Are these really plus size dress forms?
Supafit dress form
One of the first to pop up in my search for a plus size dress form was the Supafit full figure dress form. It has a maximum 53” bust. The maximum waist is 46” and hip is 55”.
The name Supafit made me think of Superman or maybe Superwoman … Wonder Woman perhaps? Actually, a plus size Wonder Woman with my measurements doesn’t look too bad. Using the word “super” (or even the misspelled “supa”) when referring to size is a bit of an insult though don’t you think?
Mannequin Madness
Mannequin Madness plus size dress forms seem to go up to size 18/20 and that is bust 46″, waist 36″ and hip 47″. Way too small for me.
On the Dress Forms USA website, I typed “plus size” into the search tool and the result was: “Sorry, no results.” Fair enough. At least they apologised! Looking at their professional models, a female dress form in size 20 (the largest they offer) has bust size 47”, waist 40.5” (the 0.5 makes all the difference!) and hips 48”. Nowhere near my 60”. Their male dress forms weren’t much better with 48” chest, 42” waist and 49” hip. Would I buy a male dress form anyway? No!
At this point, I gave up. Well, not quite. I haven’t lost all hope. One option which I’m finding attractive is the Bootstrap Fashion dress form. During my deep dive investigation, Bootstrap Fashion came up repeatedly. Most people who had made one seemed happy with it. I saw many photos of women hugging their Bootstrap Fashion dress form and smiling. What I noticed was the dress forms really were very similar sizes to the women standing next to them.
What’s in a name
The first time someone mentioned Bootstrap Fashion to me, the only thing I could think about was boot laces. I had to ask them to repeat themselves several times. Eventually they said “just look it up” so I did and now I’m even more curious.
I was (and still am) impressed. In case you’re not familiar with it, Bootstrap Fashion is an American company (based on California) that creates custom-fit dress forms. The process allows you to submit your measurements online, choose your tummy protuberance, buttocks shape, posture and shoulder slope. Best of all, their maximum measurements were well within range for me.
Bootstrap Fashion founder Yulia Raquel
The brand was born when co-founder Yuliya Raquel had trouble finding clothing for her full-figured mother. She started making high-end, designer, fashion-forward clothing selling under the brand Igigi. However, the tools to make these clothes, such as a dress form, were lacking. That’s how Bootstrap Fashion was born. If you cannot find what you need, make it yourself, right?
Even better, the cost is only US$28 (that’s about $50 New Zealand dollars as at 1 April 2025). Yeah, it does still seem a little costly but it’s better than the price of those supposedly plus size dress forms mentioned above that don’t extend to the size you need.
Bootstrap Fashion creates more than just dress forms
Slopers explained
Bootstrap also creates slopers from which you can develop your own creations as well as pre-designed clothing patterns you can buy customised to your measurements and shape.
SLOPER – a sloper (also called a block or foundation pattern) is a basic pattern that serves as the foundation for creating other garment patterns. It’s essentially a template of the body, without seam allowances or design elements, allowing you to easily draft and adjust patterns for various garments.
Going back to Bootstrap Fashion dress forms, I’m excited. This is an option to sew a pattern to create a dress form that replicates your body as accurately as possible.
I’m not quite ready to buy, I need to talk to a few people who have made one. I’ve heard there are tricky parts and it can take time to put together. I’m definitely intrigued though.
Why choose Bootstrap Fashion dress form?
Many sewists struggle with finding a dress form that accurately represents their body shape.
Commercial dress forms come in limited size ranges and fail to accommodate bigger and unique proportions.
The Bootstrap Fashion dress form allows you to create a true-to-size replica of your body shape
Bootstrap Fashion dress forms avoid high costs associated with professional dress forms (which may not be the right size anyway)
Enhance sewing accuracy by draping and fitting garments on a perfectly proportioned model of yourself.
What you need to make a Bootstrap Fashion dress form
Main (woven, not stretchy) fabric
Fusible woven interfacing
Interlining/stabiliser
Cardboard
Sponge
Zipper
Craft glue
Razor knife
Wooden, plastic or metal coat stand (or dress form stand)
Plastic pipe tube
Polyester fibre fill
Some of the negative factors of Bootstrap Fashion dress form
Time-consuming – requires patience and careful sewing
Stuffing can be tricky – needs even distribution to maintain shape
Durability depends on materials used – a poorly reinforced form may not last as long as a commercial version.
A good friend invited me to her wedding a couple of years ago and I heard myself asking that age-old question: “What am I going to wear?” Seriously, my wardrobe consists of black pants and coloured tops that I wear to work and jeans, t-shirts and sweatshirts that I wear at home. I have a couple of dresses but the last one I wore (to my cousin’s wedding about 15 years ago) no longer fits!
The inspiration
I tried to see this as an opportunity and I started watching other ladies to see what they were wearing. It didn’t take me long to notice a dress a colleague of mine had worn a few times. It has as black base with a pink and cream floral print on chiffon. It has three tiers in the skirt, a v neckline and side ties that thread across the front under the bust and similarly at the back. It looked great on her and I envisaged myself wearing something similar.
My friend’s dress that was the inspiration for a dress I wore to another friend’s wedding.
After seeing her wearing it a few times, I couldn’t resist asking if I could borrow it to see if I could make a pattern from it. The idea of creating my version of the dress excited me yet it wasn’t without its challenges. However, challenges are part of the fun of sewing aren’t they?
Finding the right pattern
Given I had a deadline (my friend’s wedding) and having inspected how my friend’s dress was put together, I decided it would be a lot easier to make a dress from scratch rather than trying to make the pattern first and then make the dress. I wanted something with the same floaty, feminine look as my friends and something which could be made from chiffon like hers.
Near the start of my search, I found the Style Arc Naomi dress pattern by Style Arc. It was the closest I could find that replicated the top part of the dress nearly exactly like my friend’s dress. I kept it in mind as I spent days, weeks even, searching for a pattern online and in fabric shops. Once my sewing friends and tutor got wind of what I was looking for, they all offered suggestions but none were quite right.
Of course the date of the wedding was getting closer. Rather than wasting time or giving up, I decided to go with the Naomi dress and see if I could adapt it to replicate the tiers in my friend’s dress.
My friend kindly said I could loan her dress if things turned to custard as I was making my own. She must know the struggles sewists have perfecting garments, especially under time pressure.
Choosing the fabric
While looking for patterns, I had also searched for fabric. I found a jade green chiffon with cream flowers tucked in a corner at my local fabric shop. I don’t typically go for floral prints so I initially rejected it. Actually, I wasn’t really sure if the colour suited me. I pushed this away to the back of the shelf just in case I wanted to return to it. There wasn’t much on the roll and if it turned out to be my only option, I didn’t want to lose it.
The fabric I chose for my dress – jade-green with cream flowers
I took two or three 150km (two-hour) road trips to Christchurch, the nearest city to my home, trawling through the fabric stores there and I looked online but my mind kept going back to the fabric I had seen locally.
Visiting the store during my lunch break, I pulled the roll of fabric from the place I had hidden it and asked the store owner to measure it for me. It was just enough to make the Naomi dress pattern but not enough to add tiers like my friend’s dress. I put it back on the shelf and kept looking.
A few days later, just two weeks before the wedding and still without fabric, I decided the jade green chiffon floral was the best option. I bought it during a sewing class at the store and my sewing friends loved it. One even said she was jealous because she had seen it and thought about buying it but I had beaten her to it. It must have been her that hid it in the back of the shelf where I found it.
Unfortunately I cannot find this exact fabric but you can buy similar fabric.
The Naomi dress pattern came together quite quickly. I have to admit, I was a little nervous, wondering if things would turn out the way I wanted or if I’d end up with something I couldn’t wear. Thank goodness my friend had said I could wear her dress if I wanted to but I was determined to make mine work.
The tricky part came when it was time to make the cords that thread through the front and back of the dress and cinch in under the bust. They were sewn inside out and were so narrow, it was difficult to pull them back in the right way.
My dress had a v-neckline and the front cord casing came up from the sides on an angle to cinch in under the bust.
Furthermore, the cord casing required small holes at either end for the cord to poke through – four holes. If you have ever sewn with chiffon, you know it is a delicate task. The fabric tends to slip and slide around and those holes were tricky! I spent more time than I would have liked jiggling the cords into place. Thank goodness I had help from my sewing tutor and the owner of the fabric store got involved too.
There was one change I made from the Naomi dress pattern. I decided not to have the side splits. In retrospect, I may also shorten it a bit.
Finally, the night before the wedding, the dress began to look and feel like something which I could wear with pride. I stayed up late putting elastic in the sleeve cuffs, finishing the hem with a rolled edge on the overlocker and putting some metal stays on the ends of the cords.
Wearing it with pride
What I loved most about sewing this dress, beyond the process, was how it made me feel when I wore it for the first time. I had made it with my friend’s wedding in mind, knowing I could wear something beautiful for her special day.
When I put it on and looked in the mirror, I saw something more than just a dress. I saw an accomplishment and a reflection of my growing skills. When I walked into the wedding venue, I felt proud of what I had created.
The ties at the side of the dress were kept in place with little metal keepers.
To my surprise, I wasn’t the only one who thought my dress looked great. While mingling at the wedding, I noticed a few younger girls eyeing my dress. Many were wearing similar styles – with or without tiers. I don’t know for sure what they were thinking but I chose to believe they were admiring my dress.
I have to admit I felt a little self conscious as many of the girls were much slimmer than me but I reminded myself the dress was beautiful because I had made it with care and had put love into it.
Looking ahead
Now I’ve worn the dress a few times (even to work) and received compliments on it, I feel inspired to make more. I think I would definitely use the same pattern again but next time I might add the tiers. I think I would also change the fabric to something with a little more drape like a rayon print, even another floral!
Lessons learned
What I’ve learned from this process is that stepping out of your comfort zone can lead to incredible results. I never imagined I would be sewing a dress – something so different to what I normally wear – but it has opened my eyes to a world of possibilities.
The long length is something I might change.
While my friend’s wedding was the perfect excuse to make something special, I’ve realised I don’t have to wait for a similar occasion to wear a beautiful dress. I feel more confident in my ability to create garments that not only fit well but reflect my own style and creativity.
My advice to other plus size sewists
If you are thinking about sewing a dress for the first time, go for it! You might surprise yourself with what you can accomplish and how it makes you feel. The satisfaction of creating something with your own hands is unmatched. Whether it is a simple design or something more complex, just enjoy the process and take your time. With a little patience and a lot of passion, you can create a piece that is truly your own.
An extra little story
When I met my friend, she had recently split up from her husband of many years. I had recently separated from my husband too. I was introduced to my friend by some ladies who cared about us both. It turned out my friend lived just around the corner from me and worked (as a fabric technology teacher) at the high school next door to my house. After years not sewing, I decided it was a good time to brush up on my skills with my friend’s help.
At the time, as we had both shared our relationship experiences, my friend told me she would probably not marry again. Years passed and eventually my friend moved to another town (not too far away). She remained single then one night she gave me a call to have a “catch up chat”.
As the conversation was coming to a close she suddenly said: “Oh, guess what?”
“What?” I said.
“I’m engaged!” she said.
I was surprised, yet delighted and made sure my friend knew I wanted an invitation to her wedding.
The next time I went to my sewing class, I shared the news with my friends and the tutor, who took a particular interest. She had a little glint in her eye as she told me my friend was marrying her twin brother! She said she had known for several weeks and had to keep it a secret from me!
At the wedding, it was lovely knowing my friend and sewing tutor had just become sisters-in-law. Even lovelier knowing my tutor helped me sew the dress I wore to my friend’s wedding.
Another occasion to wear my dress
On 8 April 2025, I am attending a VIP night at the store where I bought the fabric for my Naomi dress pattern and where I attend sewing classes. The owner is celebrating 20 years at the helm of the business.
As part of the VIP night, customers have been invited to “catwalk” in garments they have created using at least 50 per cent fabric/materials from the store.
I have decided to wear my dress on the “catwalk”!
There is a prize for “people’s choice” – a new sewing machine! Other attendees at the VIP event will choose who will win.
If you can’t find a dress form in your size, making your own is a fantastic alternative. The duct tape method is one of the most affordable and effective ways to create a dress form that mirrors your body perfectly.
This post may include affiliate links, meaning if you click through and make a purchase, I may earn a small commission, but it will not cost you any more than the normal price. This helps me continue to provide quality content on this website.
Materials You’ll Need:(Keep weight in mind when choosing your materials)
If you love sewing, a dress form can be a game-changer in your creative process. Dress forms are one of the most valuable investments for any sewist, especially for those making garments that require precise fitting.
Whether you are adjusting a commercial pattern, draping fabric, or simply checking the fit of a garment before stitching, a dress form acts as your personal sewing assistant. However, finding the right one—especially for plus-size sewing—can be a challenge.
In this guide, we will explore everything you need to know about dress forms, including uses, types, what stage in your sewing journey you should consider buying a dress form, things to consider before buying, how to care for your dress form and reasons you may not even need a dress form.
Dress form shown at various angles isolated on white
What is a dress form?
A dress form is a three-dimensional replica of the human body used to drape fabric to create personally-designed clothing and check fit. A dress form makes it easier to construct and alter clothing. Unlike a store mannequin, which is mainly for display, a dress form is specifically designed for garment fitting and pattern making. Dress forms come in various sizes, styles and materials and they can be adjustable, single-size or custom made to fit your exact measurements.
Why use a dress form?
Using a dress form can significantly improve your sewing experience:
Better fitting: Adjusting and pinning garments on a dress form that replicates your body measurements is easier than doing so on your own body and avoids the minor pain of having pins stuck into your skin.
Efficient pattern adjustments: A dress form will help if you want to modify commercial patterns for a better personal fit, especially if the pattern size range does not include your measurements.
Draping and designing: Use a dress form to create new designs by directly shaping fabric on the form. Draping also allows you to see how your fabric will behave once sewn. This is especially useful when working with challenging fabrics or intricate designs.
Faster alterations: A dress form can drastically speed up the sewing process. With accurate fitting from the start, you will not waste time making alterations.
Showcasing garments: If you sell or photograph your work, a dress form provides a polished display.
Confidence in your work: When your dress form reflects your body exactly, you can sew with confidence, knowing the garments you create will fit well and flatter your shape. This is particularly empowering for plus-size sewists, who often struggle to find off-the-rack clothing that fits properly.
An adjustable tailor’s dress form
Types of dress forms
When shopping for a dress form, you will find different types. Here are the most common ones:
1. Adjustable dress forms
These dress forms have dials or sliders that allow you to customize the size, making them great for those whose measurements fall between standard sizes. Adjustability makes a dress form a versatile option for sewists who work with different body sizes and are not only sewing for themselves.
Pros: Customisable, good for multiple sizes, relatively affordable.
Cons: Some may not expand enough for plus-size bodies. Adjusting for different sizes can be time-consuming.
2. Standard (fixed-size) dress forms
These forms are made in a single size and are often more durable than adjustable ones. They work well if you consistently sew for yourself and do not need size adjustments.
Pros: Sturdier, often more realistic in shape.
Cons: Limited to one size. Can be expensive if custom fit.
3. Metal frame dress forms
Metal frame forms are useful for aesthetic purposes. People who sew clothes for markets or shops often use a metal frame dress form to display their garments. These kinds of dress forms do not have the versatility needed for garment fitting, fabric draping and pattern making and certainly cannot be adjusted for different body types.
Pros: They are pretty to look at and sturdy enough to hang heavy garments.
Cons: Heavy, inflexible and awkward to move around.
Store mannequins are often not realistic body shapes
4. Mannequins
A mannequin is also used for display purposes in shops. Often these are full body models sometimes made from plastic, wood or polystyrene. Some have removable limbs. They are not useful for dressmaking because they are rigid, non-adjustable, often unrealistic body shapes and unsuitable for pinning, draping or fitting.
5. Professional dress forms
High-end dress forms, often used by fashion designers and tailors, have a padded foam surface allowing for easy pinning. Some are collapsible or have wheels for mobility.
Pros: Extremely durable, realistic shaping, great for pinning fabric.
Cons: Expensive. Not usually available in plus sizes.
You can use duct tape to make a dress form which replicates your body.
6. DIY Dress Forms
For plus-size sewists, finding a dress form that truly represents their shape can be difficult. Many off-the-rack dress forms max out at smaller sizes, leaving curvier sewists without a good option. A possible solution is to add padding to make a smaller dress form to better reflect your body. However, a better option is to make your own. There are two options – create your own mould of your body or send away your measurements and receive a pattern to make a dress form which matches your shape.
Pros: Perfectly matches your body. Budget-friendly. Fun to make.
Cons: Requires time and effort. May not be as durable as store-bought models. Not easy to change if your body shape or size changes.
Laser scanning and cameras can be used to made a 3D replica of a body.
7. Custom made dress forms
3D body scanning is an exciting technology used to create a custom-made dress form which ensures a perfect fit. Whether you are a plus-size sewist or someone with unique proportions, this personalised approach eliminates the need for adjustments during fitting.
Pros: Perfectly matches your body whatever shape or size it is.
Cons: Not available in all countries. Can be expensive.
Dressmaker makes adjustments.
8. A fit buddy
A fit buddy is a fellow sewist who can check the fit of your garments and pin for adjustments while you wear it. This is especially useful if you cannot find a dress form in your size. A fit buddy can also provide feedback on fabric drape and movement, and overall look.
Pros: Useful if you do not have a correctly sized dress form. Can be a fun and social way to sew with a friend.
Cons: Scheduling time with a fit buddy may not always be convenient.
When to buy a dress form
A dress form becomes an important tool at different stages of a sewist’s journey, depending on their skills, goals and sewing preferences. Here are key milestones where investing in a dress form might be beneficial:
1. When first starting out
When trying on clothing you are sewing for yourself, undressing, dressing and redressing can be tiresome. If a sewist finds it difficult to pin, adjust or visualise garments while working on a flat surface, a dress form can speed up the process. It allows for easier hemming and ensures good seam placement. It is also helpful if you are a little self-conscious in your skin.
2. Moving on from basic garment construction skills
Once a sewist has mastered basic garment construction, they may wish to buy a dress form to refine their fitting skills. If a sewist is moving beyond sewing with flat patterns and experimenting with adding their own features, a dress form can provide a stable structure for shaping designs.
Plus size dress forms are difficult to find but very helpful in dressmaking.
3. Sewing for plus sizes
A dress form is particularly useful for plus-size sewists who struggle with inconsistent pattern sizing and need to make alterations to fit. Adding inches to pattern pieces is possible on a flat surface but a dress form is especially useful to modify commercial patterns that do not feature plus sizes.
4. Sewing for others or professionally
If a sewist is working on commission, making costumes or sewing for clients, a dress form helps with fittings when the wearer is not present. A custom-padded or adjustable dress form can replicate different body shapes for different clients, allowing for more accurate alterations.
5. Learning draping techniques
If a sewist is interested in creating their own original designs, a dress form is essential for draping (manipulating fabric on a form). Transitioning from commercial patterns to custom-made clothing requires adding interesting details like pleats or ruching.
Red carpet coutre gown and tailored suit.
6. Making tailored garments
Tailoring is the art of creating high-end fashion such as premium suits and exquisite red-carpet coutre, wedding gowns, special occasion wear and one-off unique pieces that are impeccably made. Skilled tailors refine silhouettes, ensuring clothing flatters the wearer. Tailoring goes beyond using patterns or transforming off-the-rack pieces and instead personalises fashion, emphasising craftsmanship, detail and individuality.
Why you might NOT need a dress form
Rushing into a purchase is never a good idea. Because there are so many different dress form options, there is a lot to think about before you buy one. It is better to wait until you have found the perfect option for you rather than stretching your budget to buy something with features you do not use enough to justify the cost. There are several reasons a sewist might not need a dress form.
Finding the right size dress form can be difficult if you are plus size.
Personal Fit Limitations – Most commercial dress forms do not accurately represent real body shapes, especially for plus-size individuals. Padding and alterations can help, but they may not fully replicate personal measurements.
Flat Pattern Adjustments – Many sewists successfully alter patterns using flat pattern methods, such as full bust adjustments (FBAs) and slash-and-spread techniques, without needing a dress form.
Fitting on the Body – Some prefer to fit garments directly on themselves or a willing model. Mirror setups or photos can help with checking fit.
Cost and Storage – Dress forms can be expensive and take up significant space. Budget constraints are another consideration.
Limited Use for Some Projects – If a sewist primarily makes loose-fitting clothing or garments with significant stretch, a dress form may not be essential.
Alternative Methods – Many sewists use draping techniques directly on themselves or create a custom duct tape or paper tape form as a budget-friendly alternative.
Things to consider before investing in a dress form
If you are still developing your skills and primarily sew loose-fitting or stretchy knit garments, you may not need a dress form right away. However, once you reach a point where accurate fitting and shaping become priorities, investing in one—or making a DIY custom form—can be a game-changer.
If you decide you do need a dress form and you are ready to buy one, there are several things to think about to ensure the one you buy aligns with your needs and helps improve your sewing experience rather than being disappointed. Here are the key things to consider before making the investment.
1. Adjustability
Adjustable dress forms are versatile tools that allow you to modify the bust, waist, and hip measurements. Adjustability can be especially helpful for sewists who are not only sewing for themselves because they can be adjusted to fit to the measurements of others. Look for a dress form with dial or slider adjustments or one that offers some other kind of ability to change the shape.
Tip: Make sure adjustments can be made easily without tools, especially if you plan on altering garments frequently.
2. Body Measurements
The primary purpose of a dress form is to replicate your body’s shape and size. You need to take accurate body measurements, including upper bust, full bust, waist and hips and ensure the dress form can match them. This is particularly important if you or those for whom you are sewing are plus size.
Tip: Check whether the dress form allows for easy adjustment in key areas like the waist or bust to match your measurements.
A dress form at the wrong height.
3. Height
A dress form with adjustable height helps to reduce strain on your back and ensures you work in a comfortable position. This feature is especially useful for taller or shorter sewists who may need a height adjustment to match their body proportions. It is also useful if you are working on a project for a long time, perhaps if you are pulling an all-nighter to meet a deadline for a client, fashion show or competition. Any plus size sewist would tell you being on your feet all day or even standing up and sitting down between dress form and machine can be painful.
Tip: Check whether the dress form can lock securely at your preferred height.
4. Materials and durability
The material used for the dress form will affect its longevity and usability. Common materials include foam, fabric, wood, fibreglass, polystyrene and metal. Foam-covered dress forms tend to be lightweight and affordable. You can easily pin fabric to them if intending to design your own pieces. However, fabric-covered or polystyrene dress forms can offer more realistic draping. Choose a material that suits your sewing style and durability needs.
Tip: If you frequently sew heavy fabrics like wool or denim, opt for a sturdier dress form with a more solid structure to cope with the weight.
5. Portability
Consider whether you need a dress form that is easy to move around. Some forms come with a base on wheels for better mobility, while others are stationary. Portability is important if you frequently take your dress form to sewing classes, workshops, events or client’s homes. Lightweight and collapsible options are best for sewists who need to move frequently.
Tip: Look for a dress form with a stable base and lightweight construction if portability is important to you.
6. Type of dress form
Consider whether an adjustable dress form is necessary or if a fixed-size form will meet your needs. Think about whether your projects will involve draping and pattern making, as this may influence your choice. If a dress form in your size is not available, a custom-made one might be the best solution or you could try making your own or find a fit buddy. If the dress form is only to hang clothes for display, a metal form or mannequin will do.
Make sure you have somewhere to store your dress form when not in use.
7. Storage
If space is limited in your sewing room or studio, consider how easy it will be to store your dress form. One of the worst things in a small sewing room is having your tools get in the way. Having an easy to store dress form ensures it will not take up valuable space when you are not using it. Conversely, having to pack away and unpack the dress form every time you need to use it can be annoying and time consuming.
Tip: Look for a dress form that will fit your space and not just your clothes.
8. Special features
Some dress forms come with additional features such as removable and washable covers, adjustable necklines or extra padding for adding shape. This added padding does not always mean a small dress form can be made into a plus size dress form. If you are buying from a retail outlet, ask if you try out the dress form in the store to see if it suits your needs. At the very least, ask for a demonstration and take notes, especially if the demonstrator is struggling with the product. Ensure the demonstration includes all the features of the dress form.
Tip: Before buying a dress form, test its adjustability. Some features may sound great on paper but can be tricky in practice.
You don’t have to spend a lot of money to have a dress form that works for you.
9. Price and budget
Dress forms come in a wide range of prices and of course this is something to consider but not to the neglect of other factors. While cheaper forms may be tempting, they may lack the customisation options you need, such as full adjustability or accurate body representation. It is better to spend a bit more to ensure your dress form has all the features you need. If you are just starting out using a dress form, you may find a cheaper option or a home-made dress form is best to try out first to see how much you use it (or not).
Tip: Compare the price and features of different dress forms to find a balance between affordability and functionality.
Caring for your dress form
To keep your dress form in great condition:
Store it in a cool, dry place to prevent mildew or rust.
Do not leave fabric draped on the dress form for long periods or it may leave impressions in the fabric.
If using an adjustable dress form, be gentle with the dials and do not adjust beyond the form’s capability.
If you have a DIY or homemade dress form, reinforce with extra tape, foam or stuffing over time.
Handle with care. Do not lean on or put excessive weight on the dress form.
Do not let children play with your dress form.
If using pins, avoid leaving them stuck in the form for long periods to prevent fabric damage or rust stains. Avoid excessive pinning so your dress form does not become covered in holes.
If you add padding to customise the form, make sure it is secured properly to avoid shifting.
Avoid placing your dress form near heaters or fireplaces as extreme temperatures can warp parts, dry out fabric or even cause your dress form to catch fire.
If not in use for a while, disassemble (if possible) and store in a cool, dry place.
Always cover your dress form when not in use to keep dust off. Remove and wash covers regularly. Use a lint roller to remove dust if necessary.
Regularly inspect the stand and base to ensure screws are tightened to prevent wobbling or tipping over. Clean hard parts with a damp cloth.
Avoid direct sunlight, especially if your form is made of foam or has a fabric cover so it does not fade or deteriorate.
Keep away from cats and dogs. Pets might be tempted to scratch, chew or rub against the form and they may get hurt if it topples on them.
If you find yourself getting down about being plus size, take a look at these positive affirmations which are sure to give you a lift and help you get back into your sewing.
✂️ I have the power to create clothing that fits me beautifully.
✂️ Every stitch I sew is an act of self-love and confidence.
✂️ I deserve clothes that fit perfectly, feel comfortable, and make me shine.
✂️ My body is unique, and I celebrate it by making garments just for me.
✂️ Sewing allows me to express my creativity and personal style.
✂️ I am skilled, resourceful, and capable of bringing my sewing visions to life.
✂️ I embrace my curves, and I sew to celebrate them—not hide them.
✂️ There is no ‘wrong’ body, only patterns that need adjusting.
✂️ I am not limited by store sizes—I can sew clothes that truly fit me.
✂️ Sewing gives me the freedom to wear exactly what makes me feel amazing.
✂️ I am worthy of high-quality fabrics and patterns that bring me joy.
✂️ I do not have to settle for ill-fitting clothes—I can make something better.
✂️ Every project teaches me something new, and I am proud of my progress.
✂️ I trust my sewing skills and am always learning and improving.
✂️ I am allowed to take up space, and my fashion choices reflect my confidence.
✂️ My handmade wardrobe is a reflection of my personality and beauty.
✂️ I love my body, and I create clothes that make me feel empowered.
✂️ Sewing is my superpower—I turn fabric into fashion that fits me perfectly.
✂️ I deserve to feel fabulous in everything I wear.
✂️ I am more than my measurements—I am a maker, a creator, and an artist.
💖 Keep these affirmations nearby as a reminder that sewing is not just about fabric and stitches—it’s about celebrating yourself and your creativity! Happy sewing! ✨
